Ampeg 65 Jet J-12

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Posts 3, My first recommendation is that you find someone or a store with another R12R reissue that you can compare to your amp. We cannot tell how bad your noise is from a description of the sound since everyone has different perception. If you find that other amps of your same model sound better to your ears then you know that yours can be improved.

Speaker is a Jensen dating to and has possibly been reconed. Few parts are non-orignial such as cord, power switch, and fuse holder as well a Vintage ’57 Ampeg Mercury M15 Tube Guitar Amp Amplifier. Any color you like – so long as it is Tangerine! See more. from

The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code. In 3 digit dates code, the 1st digit is the last digit of the year.

On 4 digits date codes, the 1st and 2nd digits are the last two digits of the year. In either case, the remaining 2 digits are the week of manufacture 01 to With this in mind, remember if the last two digits of the source-date code are greater than 52, you’re not looking at the source-date code! Also it’s worth mentioning: On 3 digit date codes, you have to “guess” the decade of the pot or speaker. Usually this isn’t too difficult. Examples of Source-Date Codes.

With all this information in mind, can you identify the following manufacturer and date of these source-date codes?

Ampeg Heritage Series R-12R Reverberocket Guitar Combo Amp, 30 Watts

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Input impedance ohms, output impedance ohms, long decay 2. See explanation of Accutronics reverb tank numbering system here. See a chart which lists AC impedance and DC resistance measurements for reverb tanks here. View the 2-year warranty details here. Input impedance ohms, output impedance ohms, medium decay 1. Replacement for Crate Palomino V50 – Crate part number Mounts on vertical wall, long axis horizontal, connectors down.

Replacement for the Kustom K A. Exact replacement for the Laub Unique 26R amplifier 60s s as well as several Magnatone models.

Brian O’Connor (bassist)

October 2, In Fender Musical Instruments changed the cosmetics, and in some amps the circuits, of their amplifier line. The new silverface amps were ready for summer NAAM to promote the new look for the next year’s models. The silverface “drip edge” was born. Ampeg must have followed the lead and felt it was time for a change also. The company had just been purchased by UniMusic at the end of so I would guess this was part of the new owners trying to put their “stamp” on the product.

It could be coincidence but they also went with their own “drip edge” trim.

Handige verzameling links voor gitaristen. gitaar. Gitaar oefeningen. 20 gitaartechnieken; Acoustische oefeningen.

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1966 Ampeg Reverberocket II (SOLD)

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Designing v-T Amplifiers. Cargado por Michael Gorsich. Vacuum Tube Amplifier Design.

Reverberocket These amps vary hugely in tone. The brights out of the RR are easier to find without hitting the icepick sound, which shows up all of a sudden on the Gemini. Power Toss up This one stunned me. I was sure that the 30 watt Gemini would eat the 18 watt RR for lunch. Features Tie Both Ampegs have an awesome reverb and vibrato. Despite the fact that the Gemini has separate bass and treble controls, I found it easier to dial usable settings on the RR- this stunned me and I have to give this one to the RR.

The Gemini II has two distinct channels with separate tone and volume controls and 4 inputs. The RR has 3 inputs from one channel, which is also very usable. Because of the two channels I have to give the contest to the Gemini but only marginally. Style Tie Both are the blue diamond look with the brown speaker grille and the styling is almost identical. The knobs on both are skirted chickenheads. I kind of like the RR because the control face is on the top but not enough to call a winner.

Summary The decision in this case goes to the Reverberocket. As noted in other head to heads the tonal characteristics of these amps is very different but I think that I like the RR more.

Fretboard Journal

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Introduction. Please note that most of these Brand Names are registered Trade Marks, Company Names or otherwise controlled and their inclusion in this index is strictly for information purposes only.

Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection. He must have quite alot of free time. Info on Quad Reverb? Mon, 08 Sep How does it compare to the Twin Reverb? What will a good price be?

Check the price differences between the different models. I Hope this information helps you in some way. Regards, Rich Koerner, Time Electronics.

1963 Ampeg Reverberocket